Desecrated Geometry: Part II

Desecrated Geometry: Part II continues the deconstruction of sacred forms. Where the first series revealed how symbols become corrupted through cultural overreach and myth, this new body of work turns the gaze inward, examining the artist’s own hand in that act of appropriation.

These five works called Metatron’s Cube, Flower of Life, Lotus of Life, Vector Equilibrium and Grid of Life are rendered in a visual language that is colder, more precise. Graphical and fragmented, they resemble Perspex constructions cracked under unseen tension. Muted tones of grey dominate, each accented by a single colour – suggesting focus, rupture, or intent. Here, the aesthetics of spirituality, geometry, and “truth” are stripped of their current meanings. The artist severs these forms from their associations with yoga, wellness culture, and sanitised mysticism, and instead implants their own worldview – one shaped by skepticism, technology, dissonance, and uncertainty.

This series is not a reclamation of purity, but a reoccupation. It challenges the idea that symbols are timeless or sacred. Desecrated Geometry: Part II is about authorship, bias, and the uneasy power of personal projection. If these shapes once held cosmic significance, what do they become when infused with the artist’s own doubts, aesthetics, and cultural inheritance? Are they liberated? Or simply rebranded under a new system of belief?

The answer, perhaps, doesn’t matter. What matters is the act itself: to take, to fracture, and to reshape. To desecrate – deliberately, and with eyes open.